Nov 28 2022
Pocket Spring
The weather service had predicted a pocket. It was the first in several years, and in Sarah’s eye, every dome in the community seemed to tremble in electric anticipation. Deep down she knew that the shimmering was just the usual mirage effects of hot air rising carelessly from baked soil and dusty roadway, but still it was hard not to think that the dry, drab caps of the subterranean homes were excited for what was to come. Leaning her elbows on the thick casement of the dark, polarized vestibule window, Sarah craned her neck to peer at the sky for any sign of cloud. Nothing but the usual pale haze of atmospheric dust and traces of smoke from distant fires, through which the sun cast its yellow-stained rays on the golden mountains in the distance. The view resembled the tone of some ancient photograph out of a bygone era, Sarah mused. An era when there were real seasons, a regular living cycle. But now one could only hope for the occasional pocket.
“Avery!” Sarah called, “You and I have a little work to do.”
“Work?” The seven-year-old appeared at the bottom of the stairs, curiosity in her small, dark eyes.
“Yes. And you know what?” Sarah descended a few steps down from the vestibule floor, paused for effect, then crouched, leaning forward a little, and whispered, “You might even get to play outside!”
“Outside?” Avery was clearly confused. “In the daytime?” Her mother nodded. “Why would I want to do that?” Her brows were furled in concern.
Sarah was laughing now. “Outside! You’ll see. But first we have a few things to take care of.”
Sarah’s laughter faded as took on the calm, composed bearing of a mother who had set about carefully orchestrating a miracle for her child. She descended the rest of the stairs and, grabbing a stepstool from the kitchen, she headed down one more level. Avery followed silently as her mother led the way into the pantry, where the light ducts cast the same sepia effect found outside. In this light, it could be difficult to tell one flavor from another (without actually reading the package) and more than once had this led to surprise food combinations at breakfast or dinner.
But Sarah didn’t bother with the switch by the door, and with purposeful manner she planted the stool in the far corner and stepped up to balance on the highest tread. Even then, Sarah had to stretch, feeling around on the top shelf for a few moments. Avery was enthralled. Something had gotten into mom, but the child couldn’t determine what. Was there some emergency? No. Avery had seen her mother spring into swift action, with the stern-faced adrenaline of crisis. This was not that kind of urgency. Was mom going to show her a new game? No. This was a little bit like play, but to purposeful (and mom had said, “Work to do.”) This was something in between. A kind of happy emergency, perhaps. Something like that.
“Ah-ha!” Sarah retrieved a small package from the dark recess of the back of the shelf and handed it down to Avery. “These are just the thing.”
Avery held the box reverently, having no idea what it could be, but sensing great importance in the treasure hidden away and revealed in such mystery. Her respectful poise, in contrast with her tousled hair, drew another giggle from her mother, now back at pantry-floor level.
“Ok. Come on.” Sarah left the stepstool where it was and headed back upstairs.
In the kitchen, Sarah had Avery place the package on the table. It was a coarse cloth bag, perhaps large enough to hold a pair of shoes, thought Avery, or maybe only a single shoe. From this bag Sarah withdrew a small box. The box itself was plastic but appeared to be sealed with something. Avery watched as her mom began scraping it away with a small knife.
“It’s wax.” Sarah explained. “These have to be kept absolutely dry. We expose the open box to the sun for a little while, then close it up and seal it to make sure there is no moisture at all. They can last many years that way.”
For Avery, the explanation created more questions than it answered. She remained silent, though, enthralled by the process unfolding in the kitchen. Elsewhere in the house, games were waiting patiently to be played. There were things to read, and sounds to listen to, recordings of far-away breezes and crashing oceans. There were colors which could be moved about with little sticks, inviting the creative genius of the child mind. Downstairs, Avery had a collection of faceless dolls that only came to life in her hands. There were puzzles that changed patterns in weird, wonderful ways, and brainteasers that looked easy when they were not. Avery had a tree of lights in her playroom, with spectacular pulses dancing to the rhythm of centuries-old compositions, or flickering with new whimsical music one could make up on the spot. All of the voices that whisper the language of life into the growing mind of a child.
As Avery and her mother sat together at the kitchen table, there were yet races to run in the deep basement, and bicycles to ride through simulated landscapes. Avery could flip through images of faraway places, sometimes to tell made-up stories about them and the history she imagined must have created them. On most days, either Avery or a friend would make the brief, intense trek between homes, and they would play or have schooling, depending on the calendar. Hidden under her bed, Avery had a box of jewelry (which she thought was secret) and every so often she would open it up to remind herself of the times and places tied irrevocably to each bauble. There were so many things to do in the house, so much to draw a child’s attention, all forgotten in the moment of wonder at this small, simple box of glorious mystery on the kitchen table.
It was open now. The inside of the box smelled like starlight, rust, parchment and time. Sarah gently lifted the lid, revealing neatly placed rows of small envelopes. There were lots of them. Avery wanted to dump them all out, to read the labels, and figure out the pictures that were printed on each. However, the process was to be drawn out in a fashion more deliberate than all that. Sarah flicked through them with her thin fingertips for a few moments and, pulling one tiny packet from the bunch, handed it to Avery. “Do you know what this is?”
Avery looked it over. She could read the label, and the faded picture was clearly some kind of plant. Avery had seen other pictures of plants, of course, but she was having a very difficult time rationalizing what she knew about them with this little paper packet. Avery could feel the slight bulge of some lumpy contents, and a small shake elicited a dry rustling from inside – a fairy voice from a forgotten novel. She looked up at her mom, and asked, “Is this made from a plant?”
Sarah stifled a sob; her eyes began to tear up. “Radishes, honey.” She sniffed. “They’re seeds, baby girl. We are going to plant them, and if we’re lucky those ones will become radishes.”
****
The clouds were beginning to show in the sky over the hot, arid August morning. By afternoon, they were gone, but the brief spectacle of atmospheric moisture was the expected omen. Like fluffy trumpets, the herald angels of an impending climatic miracle. The pocket was coming, and soon. Mother and daughter watched the patterns developing, hoping to get the timing right. Avery claimed she remembered rain, once. Sarah doubted that she actually did. The girl had only been three back then, and it was a single, brief downpour. The temperature had not even changed, really. It had been well in the dangerous range of heat, foggy for a few minutes, and humid for several hours afterward. Just because Avery talked about how awful that part was didn’t mean she remembered it. She’d certainly heard others talking about it since, creating the memory she didn’t really have. But this – this was going to be different.
The evening before the pocket, Sarah led Avery out to the north side of the vestibule. “This spot will give our garden enough shade to keep it from drying out too fast,” she explained. “Even so, we will need to put some cloth down, and a cover after the pocket, to keep them going as long as possible.”
After the sun was completely down, a breeze started up. It was a cool breeze – another tell of the pocket’s onset, and a phenomenon completely novel to the child. Sarah and Avery removed their sun cloaks and began to dig. They turned the soil and prepared rows for the seeds. In other places, they prepared small mounds for those they had pre-germinated. They place small markers to identify which crops were in each tiny patch. Then Sarah unfolded a large cover, painstakingly pieced together from burlap sacks she’d saved from the bulk dry-goods delivered to the resource hub. This cover they laid carefully over the entire garden area, with stakes and rocks to hold it in place. But no seeds yet.
In the morning, Avery awoke to her mother’s gentle prodding. “Let’s go outside.” Sarah turned and walked out of the room. Avery could hear an odd sort of rushing murmur in the distance. In her sleepy mind, she wondered idly what the sound could be, while in her waking heart she could feel the pounding footsteps of ancient ancestors, running free in forests and green fields, buzzing with life. She rubbed her eyes, got out of bed, and a few minutes later met her mom in the vestibule. The girl reached for her sun cloak. “You won’t need that.” Sarah said, smiling. Avery was startled, but faithfully followed mom out the door.
It was raining. It was cold (by Avery’s standards), and the world smelled funny. They walked a few steps into the rain, and stopped there, a few yards from the front door. They both just stood there, as though the world had just now presented itself for their first scrutiny. Standing, together in the rain. Avery looked up, blinked her eyes. She reached her hand into her hair, now soaked by the cool, soft drops, and pushed it behind her ear. She turned her small, thin face up at Sarah, who pointed. Avery looked, to see that neighbors, down the street as far as she could see, were doing the same. Some were looking around, some were laughing, some were now hugging each other. Small children looked afraid, clinging to the legs of their parents.
Older people had gathered cups, tubs and even wheelbarrows, to capture some of the free water. A few seemed to be crying – in pain or joy – but the tears were masked by the flow of water coming in buckets from the dark, fluffy heavens. Avery turned back to her mother and started a squeal of joy that quickly resolved itself to a wordless song, and the dancing began.
Children ran between houses, while parents walked casually down the lane. Some had never seen each other’s faces, and all greetings became happy introductions. Rivulets formed along paths and between houses, so the children responded by jumping across – back and forth, forth and back. A few were seen standing with arms and mouth wide, catching raindrops on tongues dry from years of oppressive futility, and smacking lips whose cracks were healing moment-by-moment. Sarah saw a little boy stop in a mud puddle and wondered how he knew to do it. It took several hours for the initial bout of frolicking to die down enough for Sarah to divert Avery’s attention to the garden. The pocket itself was expected to last two full weeks. There would be plenty of time to play later, after the work was done.
They planted seeds of several kinds. Sarah would pick a spot and poke a hole in the burlap with the slim blade of a long knife. Avery would follow behind, dropping seeds in the holes, following the labels they had set the night before. They planted green lettuce, bok choy, spinach and arugula. There were cress, sunflowers, and beans, which would be harvested as sprouts. Bulb greens of chives, green onions, and scallions. They planted an entire section of herbs – fennel, dill, oregano, chervil, mint, coriander, chives, parsley and basil – some of which might be ripe enough to harvest when the time came. And, of course, the radishes. In a time and place where all vegetables were dried, canned, processed into extracts or made into other things, Avery had been looking forward to these the most.
Her mother had described radishes to her a week ago in the kitchen. “They’re like water, honey,” she’d said, “only round, crunchy, and ruby red. Bright white on the inside, too, like a small light in a dark room. They don’t have a flavor, so they go with anything or everything. But also, they do have flavor. They taste like the fondest memories of loved ones and happiness.” After a pause, she added, “My mother showed me how to grow them, long ago, just like we’re going to do.” Avery was all-in for the radishes.
Once all of the other seeds had been placed into the ground, Sarah held her hand out to the rain for a few moments, rinsing her muddy palms. Then she retrieved something from her pocket, and held it out to the girl. “One more thing to plant, Avery.” In her hand was a small jar with what appeared to be a wadded-up scrap of cloth. “These are nasturtiums.” Sarah smiled at her daughter’s quizzical expression. “They’re a type of flower, honey.”
Avery looked at them in awe. “Flowers?” she asked, “we have flowers?”
“My mother gave me the seeds,” Sarah explained, “quite a lot of them, actually. Every year, I take a few out, and I get them wet. Yes, I know, we are not permitted to use house water on plants, but this is only a few drops. I do this because some seeds take a long time to germinate – err, to get ready to sprout. During a pocket, there is just no time, and we would never, ever have these if they weren’t prepared. So, every year, I take out a small number of seeds, start them with a tiny bit of water, put them in the refrigerator and wait. Most years, their time runs out and I must throw them away.” Sad notes hung in the damp air as the two women kneeled together by the garden, as if in melancholy prayer for the lost souls of the nasturtiums who had never made it. But Sarah continued. “This year,” she said, “we have a pocket. These seeds are ready, and I think the timing is right – they have a chance!”
With that, she poked the planting knife through the burlap, and dropped a seed through the hole, into the dark, warm, welcoming soil beneath. They took turns, planning the seven seeds in silence. Avery looked up at her mom, and started to speak, then stopped. Sarah understood instantly. “You’re done. Run play! Go see the neighbors, with no sun gear! Enjoy it while it lasts!”
Two weeks to play in the rain. Two weeks for the water from above to bathe the tiny sprouting vegetables. Allowing for another week or two of growth after, Sarah felt that there would indeed be a small harvest before the soil hardened to cracked concrete under the merciless sun and plants became impossible once more.
***
The pocket broke on a Sunday. Avery didn’t notice the irony of “Sun” for a “sunny” day, but she was astonished when the clouds parted to reveal a crystal clear, deep blue sky. Yes, the temperature was already rising, but the clean air, the dust-free lanes between the shining domes of the residential vestibules which dotted the community, the sparkle of the rooftops that could be seen on the resource hub and civic buildings in the distance – all of this was a new, uncharted world to Avery. She wondered: How long it would stay like this? Would the skies return to their normal brown color? Or would they stay this disconcerting shade of blue? Would this thing happen again? Another pocket – maybe this year? Further reflection was cut short by her mother’s low voice. “Come on,” she said, eying the retreating clouds. “We have work to do.”
Sarah led Avery to a trap door leading to one of the out-basements. Near the bottom of the stairs, Sarah had staged a largish roll of white plastic, and a stack of longish tubes. Avery’s questions regarding their purpose were answered when she and her mother began assembling them at the garden. They used these things to construct a pair of tents covering the garden plot, whose tiny plants were just beginning to break the surface.
“We won’t be able to go inside these for more than a few minutes once it warms up,” Sarah said. “It will be extremely hot and humid, at least for a week or two. Then it will just be hot, the whatever’s left in here will be dead. I’ll keep an eye on it, and harvest just before that happens.”
Avery had already turned away to gaze at the purple mountains in the distance. “Mom…?” she asked, “what is that?”
The girl was pointing to an area of the plain some distance from the community. It was a patch of green, amid the dark sea of mud that was already starting to bake into the familiar tawny shade of the surrounding flats.
Sarah smiled. “I’d forgotten about this part. Or perhaps I didn’t want to get my hopes up, I don’t know.“ (Pause.) “Those are plants, honey. Keep an eye on them over the next few days.” She smiled and headed inside.
***
Early one morning, Avery awoke to her mother’s gentle prodding. “Let’s go outside.” Sarah turned and walked out of the room. The little girl rubbed her eyes for a few moments before she realized what must be going on. She got out of bed, and a few minutes later met her mom in the vestibule. Mother and daughter ventured out into the pre-dawn darkness, with flashlights and baskets. The soil that had been turned to mud during the pocket was now very dry, crunchy, and peeling up at the edges between cracks. Together they lifted the row covers from the garden.
They were met by a lush patch of green leaves, happily growing from the carefully curated oasis in the desolate ground of the community. Sarah and Avery harvested the greens, the bulbs, the sprouts, herbs and the much-anticipated radishes. Nearly everything seemed far enough along to eat. At the far end, amidst a small array of round, green leaves, were a few pale-yellow buds. The nasturtiums were just starting to open, revealing the deep orange flowers that were coming into being.
“Do we pick them?” Avery asked.
Sarah paused in consideration. “Well,” she said, “we have a choice to make.” Avery, cued into her mother’s contemplative tone, let a moment pass with no interruption. Sarah continued. “We could pick the nasturtiums now, and they would probably finish blooming in the house. We could even eat them.”
“Wait, you can eat these?”
Sarah laughed, “Yes, we can. However, there would be no seeds to replace the ones we planted.”
Avery was visibly trying to work out the importance of this. “Seeds… to grow more? You have more seeds, right?”
Sarah smiled, with a touch of sadness. “Yes, I do. However, once those are gone, there will be no more in this house. The line will be gone, and we will probably never see anything like them again. If we leave these plants here, the flowers may develop long enough for seeds to mature. Of course, they will dry out very soon in the heat. But if we put the cover back on, there’s a chance that the seeds will survive, even as the flowers are dying. Then we could dry them and store them for another year.”
Avery had been eyeballing the plants. “How come there are only five?”
Sarah hadn’t noticed, but her daughter was right: only five of the seven they had planted had grown. “Well,” she explained, “not all of the seeds will grow. You plant them, and some make it. Others just don’t. That’s why the plants have so many – so there will be a better chance for new plants to start from their seeds.”
Avery nodded, still thoughtful. “How many seeds are in each flower?”
“Mmm… three or four, I think.”
“So,” Avery had obviously come to a conclusion, and now offered a plan. “How about this: We cut one plant, and we’ll have the flowers from that. The other four plants all have several flowers on them, so there should be…” (wheels turning) “I don’t know, but a lot of seeds!”
“I see at least four flowers on some of the plants, and that one has six.” Sarah walked through the arithmetic out loud, for emphasis. “That means there are more than sixty seeds to come, if there are any at all, probably more. Would you like some flowers?” Avery nodded vigorously; Sarah continued. “I say we pick two plants, and we can each have a bouquet.”
“A what?”
Sarah laughed. “A handful of flowers, in a vase. You’ve seen pictures.”
They continued laughing lightly as they replaced the row covers, and the eastern horizon began to glow.
The two women were carrying the baskets back to the house, when Avery spotted the color off in the distance. Sarah saw it, too, and paused, turning to her daughter. “Do you know what that is, Avery?”
Avery stared in the warm twilight air, straining to see detail, but could only make out some areas of purple and a few yellow blotches. “The green patches – are those flowers, too?”
“Wildflowers, honey.” Sarah sat down on the ground, gesturing to Avery. “The seeds stay in the ground, waiting – sometimes for years. Just waiting for Spring.”

Mar 29 2023
The Black and Red Apothecary Box
Karly stood before the large, storefront window of the apothecary shop for a long minute. She was admiring, once again, the scarves decorating the various objects of the display. It was early spring, and the seasonal exhibit now rang out in the diverse colors of the impending blooms. There were apple-crate shelves supporting bottles of liquid in rose pink and butterscotch gold, alongside baskets of decorative soaps in violet, teal and candy red. An aged wicker chair supported a carefully disorganized stack of lady’s hats, collected from vintage memories of magnificent theatre, riverboat rides, far away cities and trips to the zoo.
The center of the display was a marionette, in the form of a large, spotted dog. It was a dalmatian, Karly decided, made from painted wood, with leather for its joints and ears. The dog-puppet was suspended from the ceiling, the strings holding it in mid-flight as it jumped over a pickling crock of dried hydrangeas – a brilliant and colorful obstacle for the starkly beautiful black-and-white dog. The backdrop of the whole thing was a parchment dressing screen, on which were hung several colorful hand fans. Some of these were fully open to show bright painted scenes from folklore and song, others partially folded, their stories collapsing in corrugated abstraction.
But Karly admired the scarves. Not because of their prominence, as they were simply draped about and under the other things which made up the giant diorama. Karly felt that she had seen nothing – not in her entire twelve years – so beautiful as these simple bolts of cloth. They flowed in a random, liquid form over and engulfing the half-concealed objects beneath, a coy game of peekaboo between art and physics; lazy cats melting into the potted plants of a sunny window box.
There were perhaps a dozen scarves in the window. Several were of a light blue, spread about like the reflection of the sky in placid waters, cool and sweet. A few of them were died in broad stripes of yellow – warm, lemony bands flanking a single strip of white, undyed cotton. The were three in different shades of orange, colors which Karly decided to name “freshly pulled carrot,” “washed carrot,” and “peeled carrot,” as they ranged from darker to lighter in shade.
Then there was the red one. It was the only one she didn’t like, and the girl wondered why it was even included in the display. It was at once the color of blood, rage, and violence. It looked like the coals of resentment that glowed beneath the kettle of hate, like the burning eyes of some ancient demon, crouching to strike the innocent passers-by from its dark, awful recess.
Karly tried to see the lighter side, scouring her memories for images of happy things in that hue. Roses, symbols of love, in deep, wine red. But, no, those have thorns – mustn’t forget those awful things. The warmth and safety of a bright red campfire is nice. However, once escaped, the same fire would engulf an entire forest, along with any house which might inadvertently wander into the fire’s infernal path. The beautiful berries of the holly bush, of course, which used to deck the halls at Christmas. Why didn’t we have them anymore? Oh, yes, Karly recalled: She had eaten a few of them, when she was five or six, and gotten so sick the doctor was called to treat the poison. She gave up trying to rationalize the choice of window dressing and turned her steps inside.
The apothecary sat on a tall stool behind the counter, drinking from a slender cup while he read the morning paper. Karly stopped abruptly at the sight of him. All describable features faded to grey leaving only a crimson swath: he was wearing one of the red scarves draped loosely about his neck. She felt her face flush slightly, as though an odd breeze, somehow both hot and cold, had brushed her cheek, and the quiet metronome in her chest sped slightly in response.
“Hellooo, there!” The baritone voice had a lilt to it, which lent a disarming lightness in spite of its depth (and the apothecary’s girth.) “What can I do for you today?”
Karly’s heart began to slow a bit, a palpable echo of hospitality ringing after the man’s words. She felt unexpectedly safe, realized she had quickly judged the apothecary by nothing more than a scrap of colored cloth, and blushed again. She quickly gathered her wits and recalled her mission.
“I need tea, please,” pause, “tea for an upset stomach.”
“Oooh,” he nodded, “I have just the thing.” He reached behind him, without looking, and opened a drawer. His hand dipped inside briefly, then knuckled the drawer closed in a single, smooth motion, swinging around to deposit a small packet on the counter. “Ginger,” he declared, “is the mother of all herbs.” He chuckled, saying, “This is my own blend. Drink it hot or cold.”
Karly was peering down the row of drawers now, floor to ceiling, filling two full walls of the shop. “You have so many of them,” she asked, “how do you keep track?”
A deep laugh rolled from the apothecary’s chest, “Well, you know… I’ve been at this a while. I don’t recall everything here all the time, but I always seem to find things when I need them.”
The apothecary drawers, although ranked by size, were of various colors, some with labels, others not. With the miss-matched handles and knobs, the whole array made a kind of random mosaic; a euphonious chatter composed entirely from discordant, clashing voices, like the colorful flow of crowds at the open-air market, blent together in the early light of a summer morning.
“What’s in that one?” Karly pointed at a greenish drawer, with a yellow knob.
The apothecary turned in his seat to look. “Happiness.” He said simply.
“Really? You have a drawer of happiness?”
“Oh, I have many kinds of happiness here.” The apothecary gave a bouncy nod. “There are over a thousand drawers in this shop, most of which are divided into several additional boxes inside. Then there are the jars, pots and crocks on the other wall. In the back room, there are bags and pallets containing ingredients for more things than even I can imagine, and I can imagine a great many things. Many of these are, indeed, some form of happiness.”
Karly had her elbows on the counter, hands under her chin in captive attention. “Like what?” she asked, “What else do you have in here?”
“What do you need?” He shrugged, and continued without waiting for an answer, “I have treatments for all of the common ailments – cold and flu, fever and chills. I have an elixir for arthritis and another for aching backs. I something for the pain one gets in her head from worrying too much, and the same thing can be used to treat menstrual cramps.” He was pointing as he talked, at drawers in the immediate vicinity of the chair. Now he stood and began to move slowly down the long counter. “I have chamomile and valerian, if you are anxious or cannot rest. I have echinacea, gingko, milk thistle, Saint John’s wort, to treat everything from asthma to gout to problems of the liver. I have ginseng.” He paused. “You know what that’s for?” Karly shook her head. “Everything! All of these ingredients have a variety of uses, and ginseng has the most!”
As he walked, Karly had followed slowly down the long counter, occasionally looking up at the apothecary, but mostly at the counter-top, where she had been tracing the grain of the wood with her finger. She almost bumped into him where he had stopped, at the open flap of the bar gate, stepping out into the room. She looked up, but he was now turning to point in various directions.
“I have potions, ointments, and elixirs for doctors, too. Treatments for colicky babies, and elderly digestion. I have cream for severe burns, powders to stop bleeding, and strong drinks to prepare a patient for surgery. These things make the world a better place, don’t you think?” Karly made noises of agreement into a non-existent pause. “But the usefulness of other things can be hard to see at times – at least to see them in their fullest extent.”
Karly was getting curious again, a fact which must have shown on her face. The apothecary continued, sounding somewhat like a carnival barker extolling the virtues of his marvelous wares.
“I have a drawer over there that has keys to various interesting things, and another that has only buttons. Somewhere in that corner is a cure for cancer, although I haven’t actually assembled it yet. There are drawers of summer sunshine, autumn leaves, and candied peel for winter’s baking. In this room are the tears of a parent, and alongside them is the first homerun of the season. The jars hold clean bandages, romantic connections, found socks, future generations of holiday gatherings, and empty space for the thoughts of our elders. Somewhere in this shop are unwritten novels, repaired cartwheels, rodeo rides, bridges to faraway shores, warm regards, the rise and fall of governments – each of them waiting to be placed in the hands of the right person.”
Although Karly was somewhat dazzled with the wonder of it all, she had a nagging question. She asked, “Can we go back to the happiness?”
“Ah. You are interested in that, are you? So, what do you think might be in that drawer?” The apothecary began moving back to his original position, eventually to sit in his ancient, spindly chair with a slight squeak.
Karly thought it over. “I don’t know. Something that makes me happy, I guess…?”
“And what makes you happy, Karleen?”
“Warm things?” It was a questioning sort of answer. “I think happy, warm things.”
The apothecary turned and reached, removing the whole box, and setting it on the counter in front of the girl. “Lucky you.” He said simply.
Before Karly even looked into the drawer, she could smell its contents. She perked-up visibly. “That smells gooood!”
It was like opening a pie cupboard in late December, with the warm, spicy steam of a mince spilling out and caressing your face. The smell was that of a magical, foreign land, whose roads were paved with cardamom shells and cinnamon bark was used for writing paper. The smell was the texture and color of her grandfather’s tweed jacket, seen every Friday when he would take grandma dancing at the speakeasy on 57th Street. It was like hot apple cider, served with rum cake.
Karly was somewhat disappointed when she looked at the actual contents of the box, which had three compartments of dry, brown, crumbly stuff. (But she was still excited.)
“What is it?”
“Cinnamon, clove, and garam masala.” He was beginning to scoop a little of each into a small muslin bag.
“This is ‘happiness’?” She seemed skeptical.
“Is it not? You seemed to like the smell – wait until you taste it.” He smiled, rising and walking a short distance down the bar. He lit a burner under a large water kettle and returned. He explained, “We make a pot of tea, and add a teaspoon of this mix to it. We will let it steep for a while, then add honey and cream. It’s known as ‘chai’.”
While the apothecary set about the rest of the tea preparations, Karly asked a new question. “Why are there so many colors on the drawers? And the knobs have been painted too – why?”
The apothecary looked up and down the row before answering, as though refreshing his memory regarding the look of the shop. He explained, “The drawers have gotten moved around over the years, for convenience. At one time, all of the drawers of a single color would have been grouped together. There was a brown cabinet, a green cabinet, a lavender cabinet, and the several natural wood colors of course. Because I get into some drawers much more frequently than others, I’ve moved those closer to my stool, for easy reach.”
Karly laughed out loud. “I thought it meant something!”
The apothecary gave one of his deep, resonant laughs. “Well,” he continued, mostly not. A few of the drawers have been painted for other reasons, but very few. The knobs are another story. The handle used to open each drawer is color-coded to indicate who is allowed to open that drawer.” Karly’s mind was racing, her eyes scanning the drawers, as he continued. “The blue knobs, and there are only a few, are available to anyone who is aware of them, anyone who is given any access can use the contents of those drawers.” Karly listened intently, spotting the blue knobs scattered about. “The orange knobs are for the fully trained alchemist, and only they should be granted access to such important things.”
Karly suddenly made a connection, but held back, asking only, “the knobs painted yellow with the white strip – who opens those?”
“Ah – those are for students. Anyone who has chosen to study under the apothecary, and who has been accepted, is free to peruse the daffodil handles, as we call them.”
“These colors are the same as the scarves in the window!”
“Correct.” The apothecary raised an eyebrow but made no remark as he poured the water into the teapot.
“I love the scarves. They’re beautiful. Well, mostly.” She paused, but then continued in childish disregard of tact. “I don’t like the red one.”
The apothecary let out a robust laugh this time, and asked, “They’re technically pashmina, by the way. But – why not? You don’t like red?”
Karly’s brows knit, and she said, “Well, it’s a scary color. Anger, blood, fire – all scary things. I can’t think of anything that is not at least partly bad. Like, the way red roses have vicious thorns! Red means danger, don’t you see?”
The apothecary nodded, thoughtful for a moment. “What about strawberries, then? I don’t believe those are dangerous.” He smiled before continuing, “You are, in part, correct.” He spoke in a low voice now, in a conspiratorial tone, as though he was about to give secret information. “Red is a very powerful color, with – it’s true – elements good and bad. The saffron-red pashmina is granted to the alchemist of the highest level. It is red, in part, because it is so easily seen, although that’s true of the orange pashmina as well. In the great scheme of things, red is the deepest color, the root, if you will, of all colors. The slowest vibration, of which all other vibrations are harmonics. It is the outermost color of the rainbow, and the last color of the fading sunset.” Karly was rapidly losing interest in the metaphysical lecture and had begun searching for any drawers with red knobs.
She only found one. “What’s in that drawer?” She pointed. “The black drawer, with the red knob?”
In his usual habit of deliberation, the apothecary looked at the drawer, the only black drawer, at the far bottom corner of the wall behind the counter.
“And why is it the only black one?” Karly was getting more curious by the moment. “Is the cabinet it came from gone?”
“No,” A slow sigh, then, “That one seems to have darkened of its own accord. The black drawer is for any and all things, evil.” He gave the tea a stir and put the lid back on.
“Well,” Karly had only the vaguest of notions of what evil might be, but nothing she could think of would fit in that small box. “What’s in it?”
The apothecary didn’t answer. He got up from his chair, walked casually down the length of the counter, and retrieved the drawer. He set it wordlessly between them.
The presence, up close, of the evil drawer was more than a little disconcerting, and Karly was regretting her curiosity. She held her gaze high and kept it there while a lump in her throat rose, then slowly receded again. She felt a wave of dread, fear, anger. Then a pang of inexplicable guilt, and a resignation to follow through with her original inquiry. She looked into the drawer.
“It’s empty!” She said, both relieved and confused.
The apothecary looked into the drawer, tipping it slightly to see every corner. “So it is.”
Karly stared blankly back.
“You see, Karly, this is no ordinary drawer.” He pushed it slightly to one side, but only enough to make a clear space in which to pour the tea. “In this particular box,” he nodded his head slightly, “things come and go. We can put things in it, but we have no guarantee that they’ll stay.” He poured two cups of the chai, adding cream and sugar as he spoke. “This is why only I can open the drawer – we never know what we may or may not find.”
“But why?” Karly was perplexed. “You said it was for everything evil – why have such a drawer? Why keep it?” Then she took her first sip of chai, and abruptly exclaimed, “Oh my God!” looking at the cup in her hands, “This stuff is amazing! Happiness indeed!”
The two laughed for several moments. Finally, the apothecary spoke up.
“Why keep the black box, you wonder? This is hard to explain. Sometimes we need exactly such a place. I think it’s easier if I just show you.”
The apothecary produced a small notepad from somewhere behind the counter and slid it across to Karly. Then he handed her a pen.
“What is your worst fear? Your darkest memory? You have something – we all do. Something you would never tell anyone.” He paused, waiting as Karly thought for a few moments. When she looked back to his face, the apothecary said, “Ok. You don’t need to write it all down, but I want you to put a word on the paper. Or draw something. Or just put some mark – anything on the paper, and you will find that it will become attached to this dark thing that you carry.”
Karly had come up blank, with nothing specific to write. She felt that she wanted to do this thing, however, as though she had some compelling reason for it, a reason that was just a teeny bit out of reach at the moment, a fuzzy shadow in a low corner nearby. Her hand moved quickly on the notepad, leaving a squiggle that she knew, somehow, would mean something to her later.
“Now put that in the box.”
She dropped it as instructed. The little note fell slowly, tipping back and forth not unlike the motion of a falling feather. It fell for a long time, slower and slower, getting smaller in the distance. Now it was just a small, white dab on an inky-black backdrop of empty space inside the drawer of evil. Eventually, it hit the bottom with a loud “clang,” like the locks of a heavy prison door banging together in the still silence of some remote, timeless night.
“Thank you.” Said the apothecary. “You will know when it’s time to come back and look into that drawer.”
She said nothing, sipping her chai in silence, feet swinging below her as she sat, waiting for the apothecary to speak again.
But he did not. Instead, he stood, and returned to the end of the counter, replacing the drawer in its slot. He came out from behind the counter, and walked up to the window display, reaching around the dressing screen. After a bit of rustling about, he pushed the screen back into its proper place, and returned to his stool. In his hand he held one of the blue scarves, which he proceeded to fold carefully on the bar.
Then he pushed it over to Karly, saying, “You’ll know when it’s time to open that drawer, Karleen. Save this, and show it when you come in.”
***
Karleen woke up, the memory of the black and red apothecary box vivid in her mind. She got out of bed, brushed her teeth, then made her way downstairs to the kitchen. She ate a light breakfast, then moved out to the garden to sip her tea and continue the process of waking up, slowly merging her reality with the larger world around her.
The house was too quiet these days. With her youngest in college, and the rest of the family estranged or gone, Karleen feel simultaneously free of her daily obligations and imprisoned by her inner shadows. And for some reason, today, she was thinking about an apothecary, and black drawer, and a note that she couldn’t quite recall.
Was it a dream? Or was she remembering something that actually happened to her twelve-year-old self? She had so few memories from that time, and even fewer from her life before that. She had lived with her grandparents then, she knew that much, although she was unable to recall why. It was a peaceful time, she thought, even if she couldn’t quite remember to what other part of her life she was comparing. Curiosity won out, however, and she decided to start her weekend by looking through boxes, long stored in the deep recesses of the closet under the stairs.
The first box held nothing but sheet music from grandma’s piano bench. That was it. Pages upon pages of chords and notes, like so many ants on endless sheets of paper. She stacked them carefully and dumped them back in the box. The second was full to the brim with toys, scrapbooks, photos, documents, awards, schoolwork and an embroidered pillowcase, all of which had been packed be grandma at the end of middle school.
Karleen paused for a few moments to admire Juniper, the exuberant dalmatian of her early childhood, now subdued in a framed print. Then she replaced the contents of that box and moved on. Next, she discovered grandpa’s collection of hand-painted lead toys. It was a very heavy box, although made somewhat lighter by the presence of several cigar boxes in the bottom. These, in turn, held greeting cards from about a decade of birthdays and Christmases, which gave Kathleen a spark of hope: she had packed this box herself, after grandpa had passed away.
Sure enough, the next box was gold. In it was Missy, her favorite doll, and a tiny, doll-sized blanket. There were candles, which she had kept hidden as a girl since she would be in big trouble if she were ever caught with fire. There were small collections of shells, stones, and a few interesting coins of little collector’s value. But most of all, and at no little surprise, was the blue scarf.
She held it up to the light of the open closet door, seeing how the old fabric filtered the light into so many pinholes. She felt the fabric – was it cotton? Or a very soft wool? Even after more than three decades of storage, the color was a striking, vibrant blue, the reflection of the sky in placid waters, or the deep cracks in a glacier of ancient ice. Holding it up to her face, she could feel the soft presence of distant hands, working the cloth with care, fashioning it into this device – what was it called? A pashmina, wasn’t it? And there was a smell, under the veil of musty closet and time and dust – a warm, glowing smell – the scent of happiness.
Karleen began to cry. She didn’t feel silly about it, or self-conscious (there was nobody at home, anyway.) She knew that this meant something, and she felt memories sparkling like fireflies under a table of imaginary glass. She felt the memories, not as ones connected to the scarf itself, but deeper, and she knew also that the scarf was the key.
It was time. Karleen gathered the scarf, her shoes, and her wits, and moments later was out the door. She was filled with hope that she might find the black apothecary box, and dread that she might find something waiting inside.
By andybrannan • Fiction, Stories 0